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The primitive bow is still used in India today. It is made of bamboo, convex-shaped, and the hair is clumsily fastened at both ends with the tension permanent.
The prototype of the bow was brought into Europe by the Moors during the 8th century. The Moors also improved the primitive bows. They gave them a head or point where the hair is fastened, and a rude frog fixed into a dovetailed notch cut in the stick. After various modifications through the Middle Ages, the convex bow-stick began to assume a more shapely appearance. By the 17th century it had already reached a familiar form.. The stick appears round or pentagonal and is made with a smaller head.
During the 17th century, the clumsy bows used by Corelli and Vivialdi were tightened and loosened by a contrivance called “Cremalillere.” This was a short, narrow band of metal divided into notches and fastened to the frog end of the bow-stick. A movable loop of iron or brass wire attached to the frog served to catch it to one of these notches, and in this manner controlled the tension.
Subsequent evolution of the bow reached its highest point with the inventions and creations of the great Tourte family. The father, known as “Tourte pere”, worked I˜Paris between 1740-1775 and originated the idea which resulted in the change of the bow-stick from the convex or “archer” type, to the concave form as we now know it. The invention of the sliding frog and screw is also ascribed to him. These epoch-making changes later exercised the most profound influence in the world of music. His sons, Xavier Tourte and Francois, the greatest of the family, brought the bow to a perfection never surpassed by any subsequent bow-maker. Tourte bows are works of art. They are still the finest bows in existence. Other renowned bow-makers are: Adam, Bazin, Bausch, Chanot, Dodd, Fetique, Gand, Hill & Sons, Kittel, La Fleur, Lamy, Lupot, Pajeot, Peccatte, Pfretzschner, Sartory, Tubbs, Vigneron, Voirin, and Vuillaume.
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